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Chicago (Full Screen Edition)

Rene Zellweger (Actor), Catherine Zeta-Jones (Actor), Rob Marshall (Director) Rated:
PG-13
Format: DVD
4.8 4.8 out of 5 stars 10,296 ratings
IMDb7.2/10.0
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Format Multiple Formats, Closed-captioned, Color, Dolby, Full Screen, NTSC
Contributor Catherine Zeta-Jones, Bob Fosse, Christine Baranski, Bill Condon, Bruce Beaton, Cliff Saunders, Rob Marshall, Rene Zellweger, Fred Ebb, Taye Diggs, Maurine Dallas Watkins, Richard Gere, Dominic West, Roman Podhora, Queen Latifah, Jayne Eastwood, John C. Reilly See more
Language English
Runtime 1 hour and 53 minutes
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Product Description

Based on the Broadway musical, two women convicted of murder in the 1920s become celebrities by manipulating the media.

Product details

  • Aspect Ratio ‏ : ‎ 1.33:1
  • Is Discontinued By Manufacturer ‏ : ‎ No
  • MPAA rating ‏ : ‎ PG-13 (Parents Strongly Cautioned)
  • Product Dimensions ‏ : ‎ 7.5 x 0.7 x 5.4 inches; 4 ounces
  • Item model number ‏ : ‎ MFR786936227956#VG
  • Director ‏ : ‎ Rob Marshall
  • Media Format ‏ : ‎ Multiple Formats, Closed-captioned, Color, Dolby, Full Screen, NTSC
  • Run time ‏ : ‎ 1 hour and 53 minutes
  • Release date ‏ : ‎ August 19, 2003
  • Actors ‏ : ‎ Rene Zellweger, Catherine Zeta-Jones, Richard Gere, Taye Diggs, Cliff Saunders
  • Subtitles: ‏ : ‎ Spanish
  • Language ‏ : ‎ English (DTS ES), English (Dolby Digital 5.1), French
  • Studio ‏ : ‎ Miramax
  • ASIN ‏ : ‎ B00009RGBS
  • Writers ‏ : ‎ Bill Condon, Bob Fosse, Fred Ebb, Maurine Dallas Watkins
  • Number of discs ‏ : ‎ 1
  • Customer Reviews:
    4.8 4.8 out of 5 stars 10,296 ratings

Customer reviews

4.8 out of 5 stars
4.8 out of 5
10,296 global ratings
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Top reviews from the United States

Amazon Customer
5.0 out of 5 stars Chicago is a must see
Reviewed in the United States on April 14, 2024
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Great 😃 timeless movie,
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Stephanie Frederick-Weber
5.0 out of 5 stars Awesome
Reviewed in the United States on February 28, 2024
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Bought this for the neighbor she was looking for this movie elderly lady and gave her the movie when it came as surprise
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P Brooks
5.0 out of 5 stars Almost a great film
Reviewed in the United States on January 29, 2024
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I found the dancing and dance numbers to be lackluster and dull compared to Bob Fosse's work, and wish the world could have gotten the version he was planning to make. However everything else about this film is great. Acting, music, sets, costumes, etc.
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Marion
5.0 out of 5 stars Incredible Acheivement to Make a Musical/Drama
Reviewed in the United States on November 27, 2023
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I liked the acting. I generally don't love musicals because the songs are long and stop down the story. In this project, the music has energy and, except for "Press Conference Rag" which looked like it took a month to rehearse and 2 weeks to shoot, the numbers are short and edited brilliantly. The film is long but keeps moving because of the INCREDIBLE editing (Oscar for Martin Walsh). The costume design was insane (Oscar to Colleen Atwood). Everybody looked amazing and was able to move the right way with their costume.
One person found this helpful
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Hard Rock Girl
5.0 out of 5 stars wonderful movie
Reviewed in the United States on November 7, 2023
Verified Purchase
I enjoy this movie so much. I loved it when it was in the theatre. It's full of action and singing. I love their songs. I have to turn it down or off when my husband is around. He says it's too much of a chick flick for him.
One person found this helpful
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Richard A. Tucker
4.0 out of 5 stars It's true that some just don't get it.
Reviewed in the United States on July 23, 2003
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The last two reviews of this film were as subjective as reviews could possibly be but what they lack is the ability to step back and actually look at what they've reviewed. This film is about immoral people but that doesn't change it's punch and it's honesty as both a musical and morality play skewed toward the cynical way we Americans view fame. As musicals go this is not Singing in the Rain or South Pacific, but it does have heart, guts and good musical talent just as the latter musicals had even if not in the same context. I find myself rooting for the little murderesses and not because I want them to get away with their crimes but to admire their spunk, guile and tenacity. On top of that who's worse; the ladies using the media or the public who allows, and gullibly applauds this manipulation? This film makes no effort to forgive the gals of their crimes, nor does the story try to make them out to be misguided little girls who deserve a shot at redemption. The sleazy lawyer who works to get them off the hook is also no nobleman. He's a vile but witty cad who exploits every trick in the book (as well as creating a few new ones) to defend the ladies. Couple that with the nearly flawless portrayals of the characters and their near perfect dance routines and I have to highly recommend this genuine musical. Renee' Zellweger is a treat as the seemingly naive minx aspiring to stardom and stupid enough to put herself within reach of the state's gallows. Catherine Zeta Jones as the very jaded, chain smoking Velma is wonderfully nasty but also no slouch when it comes to getting her way (learning a little humility along the way). At the heart of these two characters are women who've come to believe that fame and wealth are the only goals worth attaining. Their lawyer feels exactly the sme way in his shameless pursuit of difficult but very high profile, and very profitable cases. Richard Gere is a strange selection for the portrayal of this fellow. However, his skills were considerably better than I'd hoped and I found him not only convincing but downright engrossing as he wore this cretin's skin.The dance numbers clearly owe a nod to the master Bob Fosse who first adapted this story for the stage years ago.Fosse's urban cynicism oozes from these songs and dance numbers. Jones and Zellwegger are very good in their numbers. They're sincere efforts but not flawless. Despite that I found those efforts to be better than routine. They truly put themselves into their roles and played their characters with gusto.Character flaws fully exposed and elaborated on I still admired the spirit of these scoundrels if not the scoundrels themselves, well, maybe I have to confess to being a little taken with the bold lot of them. Queen Latifa (sp?) was another treat fully in her character and sumptuous in her performance. She conveyed such ease with her character it was like watching a person in a long running series, fully confortable with her role after years of playing it.Now, is this a great film musical? No, but it certainly is enjoyable and a far cry from what's been passing for musicals in recent years. Catchy tunes, good dancing and an engaging story and an inherent wit makes this much more than watchable. On top of that it has a surprising cast in the lead players as well as support characters. John C. Reilly's character as the poor slob married to Zellwegger's treacherous gal is another treat. He's the guy nobody sees, almost literally. He takes this one poor sap and plays him as the only guy with a conscience (though manipulated as it is) in this miasma of schemers and scammers. He's sincere, hopeful, but ultimately doomed to be background clutter. He's used when he's needed, ignored when he's not, and this fact becomes painfully evident to him as the film progresses. His musical number is subtle but if you really watch and listen you'll see that he's really putting himself into the position fully realized in the song. His number gave me chills upon repeated viewings. He's a decent guy but also a loser in love with someone who most likely will never know love.Rent this. See if it shakes your tree.
9 people found this helpful
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MysterEO
5.0 out of 5 stars One of the BEST Musicals ever... and I know them all !
Reviewed in the United States on January 21, 2004
Verified Purchase
I am writing this review for ME. The problem as I read all of these reader reviews is really to know WHO SHOULD I BELIEVE ? Some reviews say it is terrible! Some are lukewarm... Some say it is great...

I think there are people that hate musicals, and then they write a review about a great musical and slash it to pieces. I know people who hate Beethoven and hate Mozart, and I have to dismiss as irrelevant a review about the 9th Symphony written by somebody who hates classical music.

So, writing about musicals, I can only believe somebody who loves musicals... and of course, that somebody is ME! I love musicals. I am my best musical critic, for me, because I really KNOW musicals! I know which musicals I didn't like so much (Miss Saigon, Candide...) and which musicals I loved (Phantom of the Opera, My Fair Lady, Beauty and the Beast, King and I, Man of La Mancha, Fiddler on the Roof... Joseph...). I have seen everything great, ten times or more, including The King and I, Man of La Mancha, Cats, Fiddler on the Roof, Evita, etc.... even Show Boat, The Mikado, Pirates of Penzance, Mary Poppins, etc....

I mean... I REALLY KNOW and LOVE MUSICALS! That having been said...

After having seen Chicago on a big screen 3 or 4 times, maybe more... the verdict is: Chicago is Fabulous! It is right up there with the best of them. The songs are great, catchy, really excellent... The dancing is great, the singing is great, the coreography is beautiful... The actors are superb... Queen Latiffa, Richard Gere, Catherine Zeta Jones and Renee Zellweger are all so PERFECT for their parts... Catherine Zeta Jones won an Oscar for her role, and Richard Gere deserved to win an Oscar for his role (but he wins a long applause, from me.) He actually SINGS his own songs. He is PERFECT for the part.

And Catherine Zeta Jones... Wow! SHE IS WONDERFUL! Not only is she BEAUTIFUL, but she is TALENTED! She REALLY DANCES... not just dances, she transcends into Jazz! I was hooked on the music of Chicago for weeks...

I love the tunes, the coreography... I love Chicago... it is without a doubt in the same league as the best musicals ever... by that I mean it is in the same league as the best of Rodgers and Hammerstein, Gilbert and Sullivan, Andrew Lloyd Weber, etc.

And now I write this for others: Buy this DVD! This is really a bargain. You only pay for it once, and you will have it and be able to see it many times and enjoy it for the rest of your life.

P.S.: I bought the DVD... I have watched it many times, and each time I like it more... I know I will enjoy it many times more.
6 people found this helpful
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Travis Cooper
5.0 out of 5 stars Came in great condition!
Reviewed in the United States on November 13, 2023
Verified Purchase
Came 2 days early and in great condition. It even has a nice shiny cover that will look nice in my collection!
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Travis Cooper
5.0 out of 5 stars Came in great condition!
Reviewed in the United States on November 13, 2023
Came 2 days early and in great condition. It even has a nice shiny cover that will look nice in my collection!
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Annette Boudreau
5.0 out of 5 stars Film sur DVD - Chicago
Reviewed in Canada on February 13, 2022
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J'ai reçu mon film avant la date prévue et je l'ai regardé dès le lendemain. J'en suis ravie! Merci!
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Ray
5.0 out of 5 stars Roxie und Velma im Knast...
Reviewed in Germany on March 12, 2021
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"Chicago" ist ein Musical mit der Musik von John Kander und den Lyrics von Fred Ebb. Das Buch stammt von Ebb, er schrieb es mit Bob Fosse (Regisseur von "Cabaret" und "All that Jazz). Das Musical basiert auf dem gleichnamigen Stück der Reporterin Maurine Dallas Watkins aus dem Jahr 1926. Bei der Uraufführung 1975 übernahm Bob Fosse die Regie und die Choreographie. Es wurde ein großer Erfolg, der zwei Jahre am Broadway lief. Fast zwanzig Jahre später kam es zu einem großen Revival des Musicals. Damit war auch erfolgreiche Grundstein für eine Verfilmung gelegt. 2002 kam der Film in die Kinos und wurde in den USA ein riesiger Erfolg, der an der Kasse mehr als 300 Millionen Dollar einspielte. Auch bei der Vergabe der Academy Awards 2003 konnte Rob Marshalls Musicalverfilmung sechs Mal triumphieren. "Chicago" wurde zum besten Film gekürt. Catherine Zeta Jones bekam den Oscar als beste Nebendarstellerin, ausserdem gewann der Film in den Kategorien Szenenbild, Ton, Kotümdesign und Schnitt. Nominiert waren auch Hauptdarstellerin Renee Zellweger, die Nebendarsteller Queen Latifah und John C. Reilly sowie Dion Bebe für die beste Kameraarbeit, Rob Marshall für Regie, das beste adaptierte Drehbuch und bester Filmsong.

Es ist das Jahr 1924. In einem Theater in Chicago sieht Roxie Hart (Renee Zellweger) ihr Idol Velma Kelly (Catherine Zeta Jones) auf der Bühne. Velma ist ein umjubelter Star und Roxie hat vor sich ebenfalls einen großen Namen zu machen. Roxie will vom tristen Alltag mit ihrem Ehemann Amos (John C. Reilly) entkommen und lässt sich aufgrund ihrer Karriereambitionen mit dem flatterhaften Fred Casely (Dominic West) ein. Der verspricht ihr, dass er durch seine guten Beziehungen, ihre Karriere in Schwung bringen könnte. Dabei fällt Roxie auf die Lügen herein, dass sie nur ausgenutzt wird. Nach der Show wird Velma verhaftet, weil sie ihren Ehemann Charlie und ihre Zwillingsschwester Veronica getötet hat. Motiv war Eifersucht, denn Velma hat die beiden inflagranti ertappt. Der Star wandert in den Knast und einen Monat später folgt ihr Roxie Hart nach, die im Affekt Fred niedergeschossen hat, weil sie dessen Lügen entlarven konnte. Im Knast hat die Wärterin Matron "Mama" Morton (Queen Latifah) das Sagen. Wer es mit Mama gut kann, der hat es gut im Knast. Den meisten Gefangenen im Frauengefängnis wurden die Männer zum Verhängnis, die entweder brutal, untreu oder beides waren. Es gibt aber einen Anwalt in der Stadt, der bisher keinen Fall verloren hat und der Velma Kelly vor Gericht vertreten wird. Es ist der aalglatte Frauentyp Billy Flynn (Richard Gere). Der ehrgeizige Bezirksanwalt Harrison hat für Roxie Hart die Todesstrafe beantragt. Ein Urteil, dass im Staat Illiois für eine Frau schon lange nicht mehr gefällt wurde. Doch dann wird die ungarische Gefangene Katalin Helinski (Ekaterina Chtchelkanova) tatsächlich zum Tode verurteilt und das Urteil auch vollstreckt. Nun muss Roxie versuchen mit Velma Freundschaft zu schließen, damit Flynn auch für sie das bestmögliche in der Verhandlung herausholt. Vielleicht gar ein Freispruch ? Die Chancen stehen gut, weil Flynn eine irre Publicity starten lässt. Doch dann scheint er plötzlich am Fall der Gattenmörderin Kitty Baxter (Lucy Liu) mehr Interesse zu haben...

All that Jazz...it'Showtime. Das Musical lässt die 20er Jahre wieder auferstehen, vor allem die Musik ist dieser Dekade total verpflichtet und es gibt echte Knallersongs wie "When youre good to Mama" von Queen Latifah zu hören. Der Stil ist irgendwie ein bisschen verwandt mit "Cabaret", dem bekanntesten und populärsten Musical von Kander and Ebb. Die Story ist auch nicht gerade Heile Welt wie in der Mehrzahl der bekannten Musical, sondern wie in "Cabaret" herrscht eine gewisse dunkle Stimmung. Der Großteil der Story spielt hinter den Gefängnismauern, aber es herrscht eine riesige Überzogenheit und ein satirischer Einschlag. Die Musicalszenen sind brilliant und bomastisch in Szene gesetzt und das Thema "Schein statt Sein" wird genüsslich dargestellt. Es ist alles eine Frage, wie man etwas verkauft - so der windige Anwalt, der zum Mittelpunkt der Ladys im Knast wird. Und weil sich der Erfolg als "Duo" noch besser einstellt als "Solo" werden Roxie und Velma am Ende noch ein Traumpaar auf der Bühne. "Chicago" gilt zwar als schwächerer Oscargewinner, was ich nicht ganz nachvollziehen kann. Diese Auferstehung des good old Musicals ist durchgehend mitreissend und lebt von den Topdarstellungen des Damen-Trios Zellweger, Zeta-Jones und Queen Latifah.
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Arsinoélsa
5.0 out of 5 stars Réinventer la comédie musicale : "Razzle Dazzle 'em"!
Reviewed in France on December 16, 2011
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A mon avis, l'une des meilleures comédies musicales jamais réalisée! Les séquences chantées et dansées sont rêvées par Roxie et représentent l'autre versant d'une réalité enluminée par les artifices du spectacle. La mise en œuvre virtuose transforme tous les numéros chanté et dansé de la vie réelle en numéros de cabaret : les prisonnières donnent un numéro de tango époustouflant, la conférence de presse devient un numéro de ventriloque et de marionnettiste tandis qu'un procès se transforme en piste de cirque. Rob Marshall joue à glisser du réel à l'illusion, dans la même séquence, les deux versions d'une même situation se superposant, s'enchaînant, se faisant écho. A chaque fois, le réalisateur a truffé le tableau de symboles liant la réalité au numéro de cabaret ; je connais le film pratiquement par cœur et il m'arrive encore de découvrir de petits détails.

La direction artistique est une réussite : chorégraphies et chansons endiablées (achetez la BO  Chicago  ça vaut le coup) comme on les aime. Le film réjouit également par sa peinture du Chicago des années 20 : une presse paresseuse et sensationnaliste, une justice corrompue, les débuts du règne de la médiatisation, mais également le défoulement de l'après-guerre, l'alcool qui coule à flot dans les cabarets alors que la Prohibition vient d'être mise en place, le jazz... C'est le règne de l'illusion. Comme le résume Billy Flinn, avocat grand manipulateur des médias : "It's all a circus, kid. A three ring circus. These trials- the wholeworld- all show business.".

Les acteurs sont excellents, en tête Catherine Zeta-Jones qui rappelle évidemment Liza Minnelli dans  Cabaret  et John C.Reilly, très émouvant dans son numéro de clown triste. Rennée Zellweger n'a pas le talent de Catherine Zeta-Jones mais joue parfaitement la godiche arriviste. Même Richard Gere que je trouve d'habitude tellement palot allie le charme et le cynisme qui siéent à l'époque. Les personnages sont tous hypocrites, arrivistes, menteurs ou idiots et c'est tout à fait jouissif ! Chicago est joyeusement amorale : le cynisme est, ici, l'arme favorite de chacun(e) et mène droit non à la punition, mais au plus éclatant des happy ends..

Comme  Cabaret , Chicago est tiré d'une comédie musicale de Broadway. Le film a remporté 6 oscars en 2002, dont celui du meilleur film, qui sont amplement mérités. Je recommande de le regarder en VOST pour ne pas perdre la saveur de l'américain des années 20.
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Shawn R.
5.0 out of 5 stars Excellent!
Reviewed in Canada on May 19, 2021
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We really enjoyed this fun movie...everyone in the cast is amazing...who knew Catherine Zeta-Jones could sing & dance so amazingly well... And Queen Latifa steals every scene she is in. Highly recommend!
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valière
5.0 out of 5 stars très riche
Reviewed in France on December 15, 2020
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les scènes, les voix, les danses, les travers humains, tout y est ... Une comédie musicale "un vrai délice" c'est ma préférée
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